The iconic E Street Band drummer made a surprise appearance during the Australian psych-rock band’s performance, stepping in for his son Jay Weinberg in a unique musical crossover.
Forest Hills Stadium, Queens – In a remarkable turn of events that delighted fans and cemented a growing musical lineage, King Gizzard and the Lizard Wizard welcomed legendary drummer Max Weinberg to the stage for a special guest appearance during their August 21st concert. The performance at the historic Forest Hills Stadium saw the veteran rocker, renowned for his decades-long tenure with Bruce Springsteen’s E Street Band, join the prolific Australian psychedelic rock outfit. This unexpected collaboration highlighted a charming tradition that has emerged between the band and Weinberg’s son, Jay Weinberg, a prominent figure in his own right.
The genesis of this unique intergenerational musical exchange lies in Jay Weinberg’s increasingly frequent collaborations with King Gizzard and the Lizard Wizard. Guitarist Joey Walker addressed the audience mid-set, illuminating the circumstances behind Max Weinberg’s appearance. Walker explained that the band has cultivated a tradition of inviting Jay Weinberg to perform with them, a practice they felt compelled to continue. However, with Jay Weinberg currently occupied with commitments in Nashville, he made the initiative to call his father. “Alright, I’m going to call dad,” Jay reportedly told the band, setting the stage for Max’s momentous guest spot.
Max Weinberg then took his place behind a drum kit, joining King Gizzard’s regular drummer, Michael Cavanagh. The duo provided a powerful, dual-drum attack during an extended rendition of the band’s track “Hot Water.” The energy of the stadium was palpable as two generations of acclaimed drummers shared the stage, creating a moment that resonated with both die-hard King Gizzard fans and admirers of rock and roll history.
This guest spot by Max Weinberg is the latest chapter in a fascinating musical dialogue that has been developing between the eclectic Australian band and Jay Weinberg. The former Slipknot drummer has become a recurring collaborator, first gracing the stage with King Gizzard in 2024 during a show in Nashville. His appearances have been characterized by a seamless integration into the band’s complex and often improvisational soundscapes.
Just a week prior to the Forest Hills engagement, Jay Weinberg was a notable presence at King Gizzard’s Field of Vision II festival held in Colorado. There, he performed on the song “Hell” and also conducted a solo drum clinic, further showcasing his versatility and his strong connection with the band’s fanbase. These prior engagements underscore the genuine rapport that has been built, making Max Weinberg’s subsequent appearance feel like a natural, albeit thrilling, extension of this ongoing musical partnership.
The surprise appearance of Max Weinberg occurred during the second of three consecutive nights King Gizzard and the Lizard Wizard were scheduled to perform at Forest Hills Stadium. This run marked a significant milestone for the band, representing their fourth consecutive year headlining the iconic venue and their first time performing three nights in a single engagement. The band’s programming for the weekend was diverse, with the August 20th and 21st dates billed as traditional rock shows. The series culminated on Saturday, August 22nd, with an ambitious all-electronic rave set, demonstrating the band’s wide-ranging musical explorations.
Following their New York City stand, King Gizzard was slated to continue their touring schedule with a highly anticipated rave show at Brooklyn’s Under the K Bridge Park on Sunday, August 23rd. This would be followed by a return to their native Australia in October. Notable stops on their Australian leg included a performance at Sydney’s Hordern Pavilion, a venue that has hosted many of the country’s most celebrated musical acts.

The band’s presence at Forest Hills Stadium comes at a time of exceptional creative output and touring activity for King Gizzard and the Lizard Wizard. Known for their relentless prolificacy, the group had recently released their 28th studio album, titled Alien Metal, earlier in the year. This latest offering continued to showcase their signature blend of genre-bending experimentation, from their early garage rock roots to their more recent forays into progressive, krautrock, and even electronic music.
King Gizzard’s Forest Hills Residency: A Tradition of Innovation
King Gizzard and the Lizard Wizard’s return to Forest Hills Stadium is more than just another stop on a global tour; it’s a testament to their growing stature and their deep connection with their audience. The band has cultivated a reputation for pushing boundaries, both musically and in their live presentations. Their ability to command a venue like Forest Hills for multiple nights, while also experimenting with different sonic palettes—from raw rock to pulsating electronic music—demonstrates their broad appeal and their commitment to artistic evolution.
The integration of guest musicians, particularly those with such significant legacies as Max Weinberg, adds another layer to their live performances. These collaborations serve not only as exciting moments for attendees but also as a reflection of the band’s open-minded approach to music-making. It’s a practice that has allowed them to forge unexpected connections within the music community, bridging generational divides and introducing their unique sound to a wider audience.
The Weinberg Legacy in Rock Music
Max Weinberg’s career is intrinsically linked to the history of American rock and roll. As the drummer for the E Street Band since 1974, he has been an integral part of Bruce Springsteen’s sound, providing the rhythmic backbone for some of the most iconic songs in modern music. His drumming is characterized by its power, precision, and unwavering groove, making him one of the most recognizable and respected drummers of his generation.
His son, Jay Weinberg, has carved out his own formidable career, most notably as the drummer for the Grammy Award-winning metal band Slipknot. Jay’s drumming is known for its intensity, technicality, and visceral impact, contributing significantly to Slipknot’s powerful sonic identity. The fact that both father and son are highly accomplished drummers who have found common ground with a band like King Gizzard and the Lizard Wizard speaks volumes about the diverse and interconnected nature of contemporary music.
King Gizzard’s Prolificacy and Artistic Evolution
King Gizzard and the Lizard Wizard’s discography is a testament to their unparalleled work ethic and their boundless creativity. With 28 studio albums to their name, they have consistently delivered a diverse range of musical styles, often within the same year. This output ranges from the fuzzy, riff-heavy rock of I’m In Your Mind Fuzz to the jazz-infused explorations of Sketches of Brunswick East and the thrash metal onslaught of Infest the Rats’ Nest.
Their most recent album, Alien Metal, released earlier this year, has been met with critical acclaim, further solidifying their position as one of the most innovative and exciting bands in contemporary music. The band’s ability to constantly reinvent themselves while maintaining a distinct sonic identity has garnered them a devoted global following. Their live shows are often described as cathartic and exhilarating, characterized by extended jams, visual spectacle, and an undeniable energy that resonates with audiences.
The decision to perform an all-electronic rave set at Forest Hills signals their ongoing commitment to exploring new sonic territories and engaging with different musical subcultures. This willingness to experiment, coupled with their established prowess in the rock genre, makes King Gizzard and the Lizard Wizard a truly unique and dynamic force in the music landscape. Their performances, like the one featuring Max Weinberg, are not just concerts; they are cultural events that celebrate musical lineage, innovation, and the sheer joy of performance. The band’s trajectory suggests a continued exploration of diverse sounds and collaborations, promising more memorable moments for their ever-expanding fanbase.












