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Veteran Nashville Music Journalist and Author Vernell Hackett Dies at 77

Vernell Hackett, a celebrated music journalist and author whose insightful chronicles of Nashville’s vibrant music scene and its artists earned her widespread respect, died on August 14 in Chicago following cardiac arrest. She was 77. Her passing marks the end of a distinguished career dedicated to capturing the essence of country music and beyond.

Born Vernell Dell Boswank in the modest Texas town of Riesel, Hackett’s early life gave little indication of the influential career she would forge in the heart of America’s music industry. Her academic journey led her to Sam Houston State University in Huntsville, Texas, where she initially set her sights on a career in crime reporting. However, an undeniable passion for music redirected her path, propelling her into the dynamic world of music journalism.

Hackett’s professional trajectory began after she and her husband, Ken, relocated to Nashville. Her initial foray into the music business was with booking agent Tandy Rice at Top Billing International. In this role, she was exposed to and worked with a roster of legendary artists, including Dolly Parton, Jim Ed Brown, Jerry Clower, Porter Wagoner, Jeannie C. Riley, and Tom T. Hall. This early immersion provided her with an intimate understanding of the industry’s inner workings and the personalities that shaped it.

Her true calling, however, emerged in journalism. Hackett became a formidable voice, known for her heartfelt and vivid storytelling, her ability to forge deep connections with artists and songwriters, and her unwavering passion for music and creativity. Her journalistic endeavors spanned prominent publications, including stints as an editor for Country News, Country Rhythms, and the influential American Songwriter magazine. She was a co-founder of American Songwriter, serving as its editor-in-chief for over a decade, a testament to her leadership and vision in shaping the publication’s identity and reach. Beyond her editorial roles, Hackett also contributed as a freelancer to numerous other publications and worked with radio syndicators, further broadening her impact.

Hackett’s expertise extended into public relations, including a significant period with the Country Music Association’s communications department. This role allowed her to contribute to the broader promotion and public perception of country music. In the 1980s, she lent her talents to a young rodeo cowboy with aspirations of a music career, Chris LeDoux. Hackett played a pivotal role in supporting LeDoux, who would go on to achieve significant chart success, including the Top 10 Billboard Country Airplay hit "Whatcha Gonna Do With A Cowboy" in 1992 and the Top 20 hit "Cadillac Ranch" in 1993. LeDoux’s enduring legacy was later honored by Garth Brooks with the song "Good Ride Cowboy."

Veteran Nashville Music Journalist and Author Vernell Hackett Dies at 77

The breadth of Hackett’s influence is evident in the diverse range of artists she represented. This included bluegrass artist Dale Ann Bradley, the Americana duo Jesse and Noah, John McEuen, a founding member of the Nitty Gritty Dirt Band, and singer-songwriters Ryan Murphey, Joni Harms, and Randy Huston. Her ability to connect with and champion artists across different genres highlighted her versatility and deep appreciation for musical talent.

Beyond her extensive work in music journalism and public relations, Hackett was also a respected author. Her literary contributions included a biography of country music superstar Carrie Underwood, showcasing her ability to delve into the lives of prominent figures. She also co-authored Ghosts, Gangsters and Gamblers of Las Vegas with her long-time friends and colleagues Liz Cavanaugh and Michelle Honick, demonstrating a creative range that extended beyond the music world.

Hackett’s compassionate spirit and dedication to causes beyond her professional life were deeply felt. She was a fervent advocate for animal rights, actively working with rescue shelters and offering significant support to Robyn’s Nest shelter. A heartwarming tradition began when Hackett requested that friends bring dog food instead of gifts to her birthday parties. This initiative evolved into a long-standing practice that resulted in thousands of pounds of pet food and substantial monetary donations being channeled to Robyn’s Nest, underscoring her profound commitment to animal welfare.

Tributes from prominent figures in the music industry paint a vivid portrait of Hackett’s character and impact. Duane Allen of The Oak Ridge Boys shared a deeply personal connection, stating, "Vernell was my close personal friend for decades. Sometimes, we would talk two or three times a week." He recalled her sending a beautiful poem in the final week of her life, emphasizing her consistent positivity. Allen highlighted their shared passions: "She loved the Lord, her friends and animals." He expressed his anticipation of a heavenly reunion, imagining their company with mutual friends and "four-legged friends."

Musician Michael Martin Murphey echoed these sentiments, describing Hackett as "the kindest, most down-to-earth journalist and human being I’ve ever known." He credited her with understanding "what the common, everyday country music fan is looking for in a story" and noted her personal support for his own career journey. David Bellamy of The Bellamy Brothers also offered a poignant tribute: "Very sad to hear about Vernell’s passing; she was always so very kind to us, and we feel privileged to have known her through the years." He concluded by sending prayers and condolences to her family and loved ones.

Vernell Hackett is survived by her nephew Glen Boswank of Nashville, Tennessee, and her niece Katy Prewitt of Kaufman, Texas. Her legacy as a dedicated chronicler of music, a supportive industry professional, and a compassionate advocate will continue to resonate within the Nashville music community and among the countless artists and readers she touched throughout her remarkable life. Her contributions have left an indelible mark on the landscape of country music journalism.

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